Get Carter

Get Carter

2000 film by Stephen Kay
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Get Carter
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Get Carter is a 2000 American action thriller film directed by Stephen Kay, written by David McKenna, and starring Sylvester Stallone, Rachael Leigh Cook, Alan Cumming, Mickey Rourke, John C. McGinley, Rhona Mitra, and Michael Caine. Based on the Ted Lewis' novel Jack's Return Home, the film is a remake of the 1971 film of the same name, in which a younger Caine played the title role.

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Release date
  • October 6, 2000 (2000-10-06) (United States)
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Running time
102 minutes
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Country
United States
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Language
English
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Budget
$63.6 million
Box office
$19.4 million

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Jack Carter: You should finish what you start.
Cyrus Paice: Yeah, shit I think you should fix your tie there.
  • For the flashback scenes that show Richie's murder, Stephen Kay wanted the film to look grainy and damaged, so he asked Deluxe, the film processor, to think outside the box. Happy to oblige, the techs at Deluxe tied the film to the back of a car and drove it around their parking lot - creating the scratched look. The experiment was short-lived when a Deluxe executive saw it, and ordered them to stop - fearing it would give the company a bad name.
  • Michael Caine's character was only in one scene in the original cut, but test audiences said they liked him and they transformed the movie to have Caine as the bad guy.
  • The original screenplay Stallone signed on for was much more violent and focused more on the "revenge" element.
  • Franchise Pictures was reluctant to cast Mickey Rourke in light of his troubled past as a Hollywood bad boy. Friend Sylvester Stallone, who put Rourke up for the role, guaranteed a portion of his salary so if Rourke did cause any delays or problems, the production would be covered. Rourke turned up every day on time and was a complete professional. His work impressed Franchise enough that they hired him shortly after for their next film The Pledge.
  • Director Stephen Kay clashed with Franchise Pictures, the financier, over the tone of the film. Kay wanted the film to be more of an "anti-revenge" film, while Franchise wanted a more traditional Stallone action picture.

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