Felix Bressart (March 2, 1892 – March 17, 1949) was a German-American actor of stage and screen.

Life and career Felix Bressart (pronounced "BRESS-ert") was born in East Prussia, Germany (now part of Russia) and was an experienced stage actor when he had his film debut in 1927. He began as a supporting actor, for example as the Bailiff in the box-office hit Die Drei von der Tankstelle (1930), but soon established himself in leading roles of minor movies. After the Nazis seized power in 1933, the Jewish Bressart left Germany and continued his career in German-speaking movies in Austria, where Jewish artists were still relatively safe. After no fewer than 30 films in eight years, he immigrated to the United States.

One of Bressart's former European colleagues was Joe Pasternak, who had become a Hollywood producer. Bressart's first American film was Three Smart Girls Grow Up (1939), a vehicle for the Universal Pictures' star, Deanna Durbin. Pasternak chose Bressart to perform in a screen test opposite Pasternak's newest discovery, Gloria Jean. The German community in Hollywood helped to establish Bressart in America, as his earliest American movies were directed by Ernst Lubitsch, Henry Koster, and Wilhelm Thiele, director of The Three from the Filling Station (originally Die Drei von der Tankstelle, 1930), a film which features Bressart in a small role.

Bressart scored a great success in Lubitsch's Ninotchka (1939), as one of the Russian emissaries following the lead character (played by Greta Garbo) to Paris. A Metro-Goldwyn-Mayer film, the studio signed Bressart to a studio contract. Most of his MGM work consisted of featured roles in major films like Edison, the Man (1940).

He combined his mildly inflected East European accent with a soft-spoken delivery to create kindly, friendly characters, as in Lubitsch's To Be or Not to Be (1942), in which he sensitively recites Shylock's famous "Hath not a Jew eyes?" speech from The Merchant of Venice. Lubitsch also directed Bressart to similar effect in The Shop Around the Corner (1940).

Bressart soon became a popular character actor in films like Blossoms in the Dust (1941), The Seventh Cross (1944), and Without Love (1945). Perhaps his largest role was in RKO' "B" musical comedy Ding Dong Williams, filmed in 1945. Bressart, billed third, played the bemused supervisor of a movie studio's music department, and appeared in formal wear to conduct an orchestral version of Chopin's Fantaisie-Impromptu.

After almost 40 Hollywood pictures, Felix Bressart suddenly died of leukemia at the age of 57. His last film was to be My Friend Irma (1949), the movie version of a popular radio show. Bressart died during production, forcing the studio to re-shoot his completed scenes with Hans Conried. In the finished film, Bressart is still seen in the long shots.

Felix Bressart Actor - Born March 2, 1892 in Eydtkuhnen, East Prussia, Germany [now Chernyshevskoe, Russia]

Died March 17, 1949 in Los Angeles, California, USA (leukemia)

Mini Bio (2) With his lanky frame, big nose, toothbrush moustache and horn-rimmed glasses he looked like someone had decided to cross Groucho Marx with Albert Einstein. The perennial scene-stealer Felix Bressart had two distinct careers as a comic actor: an earlier one, on stage and screen in his native Germany, and a later -- even more prosperous one -- in Hollywood. Trained under Maria Moissi in Berlin, Felix began acting professionally after World War I. He honed his skills in the genres of political parody, musical comedy and slapstick farce in the theatres of Hamburg, Berlin and Vienna (with Max Reinhardt). By 1933, he had established his film acting credentials in popular mainstream movies like Die Drei von der Tankstelle (1930) and Die Privatsekretärin (1931). Like so many other distinguished actors he was forced to leave the German realm after the Nazis took power in 1933. Felix moved via Switzerland and France to a new domicile in the United States where his connections to fellow émigrés like Joe Pasternak and Ernst Lubitsch guaranteed him rapid and steady employment. In Hollywood, Felix joined the regular company of stock players at MGM. He was immediately typecast, his stock-in-trade being disheveled academics, wistful European philosophers, scientists and music professors of diverse ethnicity. His first major screen success was as one of the Russian commissars in Lubitsch's Ninotchka (1939), a delightful performance which spawned as similar part being created for him in Comrade X (1940). The role which ultimately defined his career, in equal parts comedy and pathos, was in the classic wartime satire To Be or Not to Be (1942), as Greenberg, a Jewish member of an acting troupe with Carole Lombard and Jack Benny. It seemed, that Felix was still underemployed in films, since he managed to practise as a doctor of medicine on the side. Sadly, he died of leukemia in 1949 at the age of 57.

- IMDb Mini Biography By: I.S.Mowis

With his lanky frame, big nose, toothbrush moustache and horn-rimmed glasses, he looked like someone had decided to cross Groucho Marx with Albert Einstein. The perennial scene-stealer Felix Bressart had two distinct careers as a comic actor: an earlier one, on stage and screen in his native Germany; and a later, even more prosperous one in Hollywood. Trained under Maria Moissi in Berlin, Felix began acting professionally after World War I. He honed his skills in the genres of political parody, musical comedy and slapstick farce in the theatres of Hamburg, Berlin and Vienna (with Max Reinhardt). By 1933, he had established his film acting credentials in popular mainstream movies like Die Drei von der Tankstelle (1930) and Die Privatsekretärin (1931). Like so many other distinguished actors, he was forced to leave the German realm after the Nazis took power in 1933. Felix moved via Switzerland and France to a new domicile in the United States, where his connections to fellow émigrés like Joe Pasternak and Ernst Lubitsch guaranteed him rapid and steady employment.

In Hollywood, Felix joined the regular company of stock players at MGM. He was immediately typecast, his stock-in-trade being disheveled academics, wistful European philosophers, scientists and music professors of diverse ethnicity. His first major screen success was as one of the Russian commissars in Lubitsch's Ninotchka (1939), a delightful performance which spawned as similar part being created for him in Comrade X (1940). The role which ultimately defined his career, in equal parts comedy and pathos, was in the classic wartime satire To Be or Not to Be (1942), as Greenberg, a Jewish member of an acting troupe with Carole Lombard and Jack Benny. It seemed, that Felix was still underemployed in films, since he managed to practise as a doctor of medicine on the side. Sadly, he died of leukemia in 1949 at the age of 57.

- IMDb Mini Biography By: I.S.Mowis

Spouse (1) Friedel Lehner (1 March 1925 - 17 March 1949) ( his death)