• Tormented by her bipolar disorders, Leigh often became the victim of sexual predators who included the lesbian actresses Jeanne de Casalis and Isabel Jeans.
• Hobbies: Gardening, the Times crossword, playing hostess at parties, collecting modern art and Dickens first editions, walking
• Was fluent in French, German and Italian
• Peter Finch was discovered by Laurence Olivier in 1948 when Olivier and his theatrical company, which included wife Leigh, were conducting a tour of Australia, Olivier signed the young Aussie to a personal contract and Finch became part of Olivier's theatrical company. He then proceeded to cuckold his mentor and employer by bedding Leigh. Olivier was personally humiliated but ever the trouper, he kept the talented Finch under contract after having brought him back to England, where Finch flourished as an actor. Finch and Leigh carried on a long affair, and since Leigh was bipolar and her manic-depression frequently manifested itself in nymphomania, some speculate that Olivier subconsciously might have been grateful for Finch as he occupied Leigh's hours and kept her out of worse trouble and Olivier from even worse embarrassment. Their on-again, off-again affair reportedly reached a crisis point on the movie Elephant Walk (1954), when they had renewed their affair. However, the instability of their relationship allegedly triggered a nervous breakdown in Leigh, and Olivier had to step in to take care of her.
• Laurence Olivier wrote in his autobiography, "Confessions of an Actor," that sometime after World War II, Leigh announced calmly that she was no longer in love with him, but loved him like a brother. Olivier was emotionally devastated. What he did not know at the time was that Leigh's declaration -- and her subsequent affairs with multiple partners -- was a signal of the bipolar disorder that eventually disrupted her life and career. Leigh had every intention of remaining married to Olivier, but was no longer interested in him romantically. Olivier himself began having affairs (including one with Claire Bloom in the 1950s, according to Bloom's own autobiography) as Leigh's eye and amorous intentions wandered and roamed outside of the marital bedchamber. Olivier had to accompany Leigh to Hollywood in 1950 in order to keep an eye on her and keep her out of trouble, to ensure that her manic-depression did not get out of hand and disrupt the production of A Streetcar Named Desire (1951). In order to do so, he accepted a part in William Wyler's Carrie (1952) that was shot at the same time as "Streetcar". The Oliviers were popular with Hollywood's elite, and Elia Kazan and Marlon Brando both liked "Larry" very much (that was the reason that Brando gave in his own autobiography for not sleeping with Leigh, whom he thought had a superior posterior--he couldn't raid Olivier's "chicken coop" as "Larry was such a nice guy".) None of them knew the depths of the anguish he was enduring as the caretaker of his mentally ill wife. Brando said that Leigh was superior to Jessica Tandy -- the original stage Blanche DuBois -- as she WAS Blanche. Ironically, Olivier himself had directed Leigh in the part on the London stage.

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