Rod Steiger

Rod Steiger

Actor
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Rod Steiger
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Rodney Stephen Steiger (April 14, 1925 – July 9, 2002) was an American actor, noted for his portrayal of offbeat, often volatile and crazed characters. Cited as "one of Hollywood's most charismatic and dynamic stars," he is closely associated with the art of method acting, embodying the characters he played, which at times led to clashes with directors and co-stars. He starred as Marlon Brando's mobster brother Charley in On the Waterfront (1954), the title character Sol Nazerman in The Pawnbroker (1964), and as police chief Bill Gillespie opposite Sidney Poitier in the film In the Heat of the Night (1967) which won him the Academy Award for Best Actor.

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Rod Steiger was born on Tuesday, 14 April 1925 in Westhampton, Long Island, New York, USA. His full name at birth was Rodney Stephen Steiger. He was best known as an actor. Steiger's country of citizenship (nationality) was American. He died on Tuesday, 9 July 2002 in Los Angeles, California, United States at the age of 77. For university, he studied at The Actor's Studio (acting school). His religion is listed as Lutheran. He was 5' 10" (178 cm) tall with a large build. He had dark brown eyes and salt and pepper hair (color). His net worth was reported to be $8,000,000 US dollars. His zodiac star sign was Aries.

You can find people similar to Rod Steiger by visiting our lists Deaths from pneumonia in California and Male actors of Scottish descent.

Full name at birth
Rodney Stephen Steiger
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Claim to fame
In The Heat Of The Night (1967).
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Date of birth
14 April 1925
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Place of birth
Westhampton, Long Island, New York, USA
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Date of death
9 July 2002
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Age
77 (age at death)
Place of death
Los Angeles, California, United States
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Cause of death
Pneumonia And Kidney Failure
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Occupation
Actor
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Occupation category
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Nationality
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PERSONAL DETAILS

Height
5' 10" (178 cm)
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Build
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Hair color
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Eye color
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Gender
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Ethnicity
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Sexuality
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Religion
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Zodiac sign
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ADDITIONAL DETAILS

Net worth
$8,000,000 USD
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High school add_black high school
University
The Actor's Studio (acting school)
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I'm ambivalent about Patton (1970). I'm kind of a half-assed pacifist and I must tell you, you know, your philosophy is as strong as your feelings on a particular day. If you're feeling good and you've accomplished something, you can back your philosophies to the hilt. And I don't know what happened, but I decided I'm not going to glorify this thing. I wasn't going to glorify war . . . I was a schmuck, because if I did "Patton" half as good as Mr. Scott (George C. Scott), I might have walked into The Godfather (1972). So that was a big mistake.
  • Won the part of Viktor Komarovsky in Doctor Zhivago (1965) only after two other actors turned the part down. After a month went by with Marlon Brando failing to respond to director David Lean's written inquiry into whether he wanted to play Komarovsky, Lean offered the part to James Mason, who was a generation older than Brando, because he did not want an actor who would overpower the character of Yuri Zhivago (specifically, to show Zhivago up as a lover of Lara, who would be played by the young Julie Christie, which the charismatic Brando might have done, shifting the sympathy of the audience). Mason initially accepted thee part, but eventually dropped out and Steiger was given the role.
  • Campaigned vigorously for a role in The Godfather (1972), which began shooting in early 1971, three years after Steiger had reached the top of his craft, receiving the Academy Award for Best Actor his role as the sheriff in In the Heat of the Night (1967). Surprisingly, the role Steiger wanted was not the title role of Don Vito Corleone (eventually played by his On the Waterfront (1954) co-star Marlon Brando, but the role of Michael Corleone, the Don's youngest son. Paramount executives found his desire to be bizarre as he was much too old for the part and turned him down without even a screen-test.
  • 4/39/04: Is listed as the Centre of the Hollywood Universe by the University of Virginia's Oracle of Kevin Bacon. He can be linked to any other movie actor in the classic Kevin Bacon-game style in an average of 2.651 steps.
  • Most of the solo shots of Steiger during the famous taxicab scene in On the Waterfront (1954) were done after Marlon Brando had left for the day. Brando had it in his contract that he could finish shooting before the normal quitting time so that he could make his daily session with his psychiatrist. Steiger was deeply hurt and annoyed at Brando's rudeness and lack of courtesy to a fellow actor, as it was customary, in a two-shot, for an actor in close-up to be fed his lines by the other actor or for the other actor to just be there so the first actor would have him him or her to play to. Steiger used his negative emotions to enhance his performance, and though he paid tribute to Brando as a great actor, he personally loathed him thereafter. Director Elia Kazan stood in for Brando in the back of the cab so Steiger would have someone to emote to.
  • Steiger, who originated the role of "Marty" in the eponymous TV production Marty (1953) (TV), said that he turned down the role in the 1955 movie production as the Hill-Hecht-Lancaster Productions contract would have bound him for years. Harold Hecht and Burt Lancaster, on their part, said that they did not want to cast Steiger as they felt the public would not go for the same actor that they had seen for free on TV.

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