All the ancient classic fairy tales have always been scary and dark.
Famous people come up to me, but I don't know who they are because my sight is so bad. It's always at the pool of the Four Seasons in Beverly Hills when I don't have my lenses in and my glasses are in my room.
I was like one of those nauseatingly nice children. I was very, very well behaved and boring.
I don't think kids have a problem with death. It's us older ones who are nearer to it, that start being frightened.
It didn't matter what you look like. You don't have to get up at 5:30 in the morning and there's a lot to be said for that. Corpse Bride can just play all my parts from now on and I'll just do the voice.
I was sad that Corpse Bride was so short. I would've liked to have had her around for way longer. She doesn't actually have that many scenes.
Most of my relationships were people in the business. Having said that, me and Tim don't really talk that much about work. He comes into my bit of the house every so often to vent but we don't really have very high, cultured conversations.
I hate this image of me as a prim Edwardian. I want to shock everyone.
It was a challenge to be able to create a character without being able to use one's normal set of expressions. All the rubber and makeup attached to your face left you with only a modest range of facial movements.
It took me so many years to move out. I'm definitely a bit of a Peter Pan, reluctant to grow up. It all seemed really nice at home-why change it? Part of me would prefer not to have any responsibility whatsoever.
He's very cool. Whatever Johnny does, there's something cool about it. He's very hip. It's emotional and vulnerable, too, which makes it touching. - on her friend and colleague Johnny Depp.
No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama. Fight Club is a studio pic, and I've done very few of those. I've got a feeling it's going to change things for me.
I enjoy those small chats you have when people come up and talk to you about your work. It only involves a few seconds of effort to be nice to those people, and I am very grateful for the kind words that people have taken the trouble to express to me in person.
I'm the kind of actor who has ventured into escaping from me.
I should get a few ribs taken out, because I'll be in a corset for the rest of my life.
You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.
That's the thing with animated films-I often feel that puppets get the better parts compared to us normal actresses.
The problems come when your personal life and relationships come under scrutiny in the press and often very uncomplimentary things are printed about you.
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
Not only was it nearly impossible to hear because of these huge rubber ears we had to wear, but we also had these huge furry hands which were absolutely useless, especially if you had to scratch yourself.
It was weird because I was pregnant, throughout that so it was weird being a pregnant witch. I was in a really bad mood but luckily, because I sleep with the director, he just sort of scheduled me so I only had to do it two nights.
Because I sleep with him he asked me to audition, you know?
You can actually have a pitch button, you know, to get people on pitch.
Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character.