Stuntman Jack Montgomery, who played a Christian cavalryman in DeMille's The Crusades (1935), recalled in an interview the tension that existed between DeMille and the dozens of stuntmen hired to do the battle scenes. They resented what they saw as DeMille's cavalier attitude about safety, especially as several stuntmen had been injured, and several horses had been killed, because of what they perceived to be DeMille's indifference. At one point DeMille was standing on the parapets of the castle, yelling through his megaphone at the "combatants" gathered below. One of them, who had been hired for his expertise at archery, finally tired of DeMille's screaming at them, notched an arrow into his bow and fired it at DeMille's megaphone, the arrow embedding itself into the device just inches from DeMille's head. He quickly left the set and didn't come back that day. He came back the next day, but for the rest of the picture, DeMille never yelled at the stuntmen again.
He was a staunch supporter of the Republican Party.
An active supporter of the practice of blacklisting real or alleged Communists, progressives and other "subversives", in 1952 DeMille attempted to get Joseph L. Mankiewicz removed as President of the Directors Guild because he would not endorse the DeMille-inspired loyalty oath. Directors George Stevens and John Ford managed block DeMille's efforts.
The lifetime achievement award from the Hollywood Foreign Press (Golden Globes) is named after him.
In still another story, DeMille was sitting in a Paramount executive's office, discussing a film he wanted to make. The climax of the film would be yet another huge battle sequence, requiring thousands of extras. When the studio executive complained that it would cost hundreds of thousands of dollars to pay all the extras needed for the battle, DeMille smiled wickedly. "I've got that covered," he said. "We'll use real bullets."
In another story, DeMille welcomed a new assistant to his private bungalow on the Paramount lot. "This is an old building," he told the young man. "You'll notice the floor slants down and to the left. I'm placing you in the left side office at the end of the hall, so you can watch the heads as they roll by."
In another famous story, DeMille was on a movie set one day, about to film an important scene. He was giving a set of complicated instructions to a huge crowd of extras, when he suddenly noticed one female extra talking to another. Enraged, DeMille shouted at the extra, "Will you kindly tell everyone here what you are talking about that is so important?!" The extra replied, "I was just saying to my friend, 'I wonder when that bald-headed son of a bitch is going to call lunch.'" DeMille glared at the extra for a moment, then yelled, "Lunch!"
DeMille is the subject of many Hollywood legends. According to one famous story, DeMille once directed a film that required a huge, expensive battle scene. Filming on location in a California valley, the director set up multiple cameras to capture the action from every angle. It was a sequence that could only be done once. When DeMille yelled "Action!," thousands of extras playing soldiers stormed across the field, firing their guns. Riders on horseback galloped over the hills. Cannons fired, pyrotechnic explosives were blown up, and battle towers loaded with soldiers came toppling down. The whole sequence went off perfectly. At the end of the scene, DeMille yelled "Cut!" He was then informed, to his horror, that three of the four cameras recording the battle sequence had failed. In Camera #1, the film had broken. Camera #2 had missed shooting the sequence when a dirt clod was kicked into the lens by a horse's hoof. Camera #3 had been destroyed when a battle tower had fallen on it. DeMille was at his wit's end when he suddenly remembered that he still had Camera #4, which he had had placed along with a cameraman on a nearby hill to get a long shot of the battle sequence. DeMille grabbed his megaphone and called up to the cameraman, "Did you get all that?" The cameraman on the hill waved and shouted back, "Ready when you are, C.B.!".
He and his wife adopted daughter Katherine DeMille in 1920, when she was 9. He father had died in World War I and her mother died of tuberculosis. Her birth name was Katherine Lester.
Died the same day as Carl 'Alfalfa' Switzer.
To promote The Ten Commandments (1956), he had stone plaques of the commandments posted at government buildings across the country. Many of them are still standing to this day, and some are now the subjects of First Amendment lawsuits.
Before casting of Victor Mature as the male lead of Samson and Delilah (1949), DeMille considered using a then unknown bodybuilder named Steve Reeves as Samson, after his original choice, Burt Lancaster, declined due to a bad back. DeMille liked Reeves and thought he was perfect for the part, but a clash between Reeves and the studio over his physique killed that possibility. Almost a decade later, Reeves found fame and stardom appearing in Fatiche di Ercole, Le (1958).
At his death DeMille was in the process of producing/directing an epic film about the creation of the Boy Scouts, to star James Stewart. His estate papers include a script and extensive research material.
He is perhaps the only director to film two remakes of one of his films: The Squaw Man (1914) (the first film he ever directed), The Squaw Man (1918) and The Squaw Man (1931).
A photograph of DeMille working on the set of Cleopatra (1934) appears in the selvage on the right side of a sheet of 10 USA 37¢ commemorative postage stamps, issued 25 February 2003, celebrating American Filmmaking: Behind the Scenes.
Was the original host of the popular "Lux Radio Theater," which presented one-hour radio adaptations of popular movies, often with the original stars, always with many of the biggest names in Hollywood. De Mille served as host/director of the series from its debut in 1936 until 1944, when a politically-oriented dispute with the American Federation of Radio Artists forced his suspension, and ultimate resignation, from the program. William Keighley succeeded him for the remainder of the program's run.
Interred at Hollywood Memorial Cemetery (now called Hollywood Forever), Hollywood, California, USA.
Only eldest daughter Cecilia de Mille was the DeMilles' natural child, daughter Katherine DeMille and sons John and Richard being adopted later.
DeMille was notable for his courage and athleticism and despised men unwilling to perform dangerous stunts or who had phobias. He criticised Victor Mature on the set of Samson and Delilah (1949), calling him "100 percent yellow."
One of the 36 co-founders of the Academy of Motion Picture Arts and Sciences (AMPAS).