Blade Runner 2049

Blade Runner 2049

2017 film by Denis Villeneuve
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Blade Runner 2049
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Blade Runner 2049 is a 2017 American epic neo-noir science fiction film directed by Denis Villeneuve from a screenplay by Hampton Fancher and Michael Green, based on a story by Fancher. A sequel to Blade Runner (1982), the film stars Ryan Gosling and Harrison Ford, with Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Dave Bautista, and Jared Leto in supporting roles. Ford and Edward James Olmos reprise their roles from the previous film as Rick Deckard and Gaff, respectively. Gosling plays K, a "blade runner" who uncovers a secret that threatens to destabilize society and the course of civilization.

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Hampton Fancher
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  • October 3, 2017 (2017-10-03) (Dolby Theatre)
  • October 6, 2017 (2017-10-06) (United States)
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163 minutes
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United States
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Advertising hologram: (said to K by a hologram advertising the virtual girl Joi, which K had bought) You look like a *good* Joe.
  • At some point in the movie Joi says to K "I'll be just like a real girl." Interestingly enough. Ryan Gosling (K) was in a movie called Lars and the Real Girl (a movie that was also about a girl who is not real).
  • As the hologram of Elvis sings "Fools Rush In" in the rundown casino in which Deckard lives, Deckard notes that he "likes this song." Later, Wallace implies that Deckard is a replicant made by Tyrell and programmed to fall in love with Rachel. It should be noted that lyrics to "Fools Rush In" include the line, "I can't help falling in love with you."
  • When Joi tells K "Four symbols make a man "A" "T" "G" and "C". She is referring to the letters that represent the four bases that make up DNA. "A" is Adenine, "T" is thymine, "G" for guanine and "C" for cytosine. When she says "I am two: 1 and 0" she is referring to the fact she is digital and therefore made of binary code "1"s and "0"s.
  • "Jorodowsky's Dune is where many of the future world comes from in both Blade Runner movies.
  • For shooting of the scene in Las Vegas, cinematographer Roger Deakins got inspired by a memory of seeing the Sydney Opera House in Australia after a dust storm. Denis Villeneuve suggested adding the giant erotic statue.

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